3D printing is a comparatively new artistic medium and is particularly suitable for editions. In this text, I explain the edition practice, the artistic reservations, and the handling of digital twins in order to create maximum transparency for collectors or curators.
Edition and Production
Unless otherwise stated, the 3D‑printed sculptures are produced as an edition of 5 (+Proof Print/+Gallery Print), usually in PLA (polylactide, a predominantly plant‑based thermoplastic often made from corn starch or sugarcane and not primarily derived from petroleum). Within the edition, a different printing material or finish is possible on request. Each piece is numbered and individually post‑processed.
Production and variability: Editions are generally produced on demand. Individual pieces may vary in surface, post‑processing and small details; these variations are an intentional element of the artistic process. Buyers receive the actually produced, numbered object. The authenticity of the piece is confirmed by a Certificate of Authenticity.
Questions and Answers
How is the pricing of the sculptures structured?
Detailed pricing for the Curated Collection is available upon request, or visible through Galerie Helligkeit and Artsy. The value of each piece is determined by its physical scale, the complexity and time invested in the digital research, and the specific hand-finished material.
Following established fine art edition practices, acquisition values are tiered and increase as an edition sells out. This structure inherently rewards early collectors. We are always available to discuss specific inquiries or provide a detailed pricing dossier for available works.
Are there exceptions to the edition practice or artist reservations?
The artist reserves the right to produce additional individual copies or further realizations in other formats and materials, in particular, but not exclusively, in bronze. Such realizations are considered independent works and are not part of the edition of 5. These reservations safeguard artistic freedom, allow for long‑term development of the form, and can enhance the value of the original edition.
Exception for unlimited works: Unlimited or uniquely produced sculptures are exempt from the edition practice described above and are treated independently.
What happens to the digital twin of the physical sculpture?
The digital twins — 3D models and associated metadata — are permanently archived for curatorial reasons. They may be used for virtual exhibitions, digital reproductions, research, and mediation.
The sale of the original digital twin is not foreseen; however, the sale as a digital object in reduced quality (e.g., in virtual worlds) remains exclusively reserved to the artist. Any use is carried out while preserving provenance and reproduction documentation.
Can I commission a sculpture in a different material?
Yes. Depending on the series and current availability, individual realizations in alternative materials (such as bronze or sintered metals) can be commissioned within the edition practice. Please reach out to the artist directly to discuss your specific request and explore available options.
How should I care for and conserve the sculpture?
PLA is particularly suitable for editions and indoor presentation. Because it is sensitive to heat and UV, it is less suitable for permanent outdoor display.
To care for your piece, remove dust with an antistatic brush or a microfiber cloth. Clean stains spot-wise with lukewarm water and, if necessary, a mild, pH‑neutral cleaning agent. While PLA is relatively dimensionally stable, impacts and point loads should be avoided. Delicate parts should be especially protected during handling, transport, and presentation.
How are international transport and delivery handled?
Works are safely packaged in custom materials for worldwide shipping. For international acquisitions and pieces currently exhibited, professional transport, customs, and white-glove delivery are usually coordinated directly through Galerie Helligkeit to ensure the highest standard of care and security.
All About Trust
Acquiring fine art is built on transparency and communication. For detailed information on material options, alternative realizations within the edition, large‑format versions, or virtual presentations, please contact the studio.