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Sweetspot - Entrie Half (Vision) - Wandskulptur Ivo Meier

Sweetspot - Entrie Half (Awareness)


A Sculpture about having a vision

Entire Half is a 3D printed sculpture by Ivo Meier, a Swiss artist who creates digital and interactive art for the real and virtual world. The sculpture is part of his art series Contemplation, which explores the concept of self-reflection, the duality of human nature and our inner and outer battles and emptiness and its relation to creation.

The sculpture is inspired by the idea of duality, which is the state of having two aspects or qualities that are often opposed or contrasted. He says that duality is a characteristic of human nature, where we have both positive and negative aspects that make us who we are. He says that duality is also a source of creativity, where we can use our differences to generate new ideas and solutions.

Beyond the concept of duality, the sculpture is inspired by the idea of emptiness, which is the state of being without content or substance. Emptiness is not nothingness, but rather a potential for something new. The artist says that emptiness is the space that allows us to create, to think, to feel, and to transform. Emptiness is also a state of mind, where we can free ourselves from external and internal influences and find our true selves.

"Entire half" is an interactive sculpture, meaning it can be touched, moved, or changed by the viewer. Hence, Entire Half comes with different spheres (blue, red, white & black) and an art collector may even requests a different appearance.

Last but not least, Entire Half is also available in a virtual dimension, meaning that it can be viewed online or through augmented reality applications. He believes that art should be accessible to everyone, regardless of their location or background.

The wall-art is also available as a larger sculpture (70x70x6 cm).

 


 

Characteristics

Artwork

Entire Half (Vision)

Media

3D Druck (PLA) / MDF 

Created

2024

Dimension

30x30x6 cm

Edition

Edition of 5

The wall sculpture can either be mounted on the wall or, with the supplied holder, displayed as a free‑standing sculpture.


 

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